Sharmila Tagore (; born 8 December 1944) also known by her married name Begum Ayesha Sultana, is an Indian actress whose illustrious career has spanned over six decades across Hindi cinema and Bengali films. In recognition of her contributions to cinema, she was honoured with Commander of Order of Arts and Letters by Government of France in 1999, and Padma Bhushan, India's third highest civilian award, in 2013. Tagore is also a recipient of two National Film Awards and three Filmfare Awards.
Born into the prominent Tagore family, one of the leading families of Calcutta and a key influence during the Bengali Renaissance, Tagore made her acting debut at age 14 with Satyajit Ray's acclaimed Bengali epic drama The World of Apu (1959). She went on to collaborate with Ray on numerous other films, including Devi (1960), Nayak (1966), Aranyer Din Ratri (1970), and Seemabaddha (1971), her other Bengali films over the time included Barnali (1963), Shes Anko (1963), Nirjan Saikate (1965), Amanush (1975), Anand Ashram (1977), and Kalankini Kankabati (1981); thus establishing herself as one of the most acclaimed actresses of Bengali cinema.
Tagore's career further expanded when she ventured into Hindi films with Shakti Samanta's romance Kashmir Ki Kali (1964). She established herself as one of the leading actresses of Hindi cinema with films like Waqt (1965), Anupama (1966), Devar (1966), An Evening in Paris (1967), Aamne Saamne (1967), Mere Hamdam Mere Dost (1968), Satyakam (1969), Aradhana (1969), Safar (1970), Amar Prem (1972), Daag (1973), Aa Gale Lag Jaa (1973), Avishkaar (1974), Chupke Chupke (1975), Mausam (1975), Ek Mahal Ho Sapno Ka (1975) and Namkeen (1982). She won the Filmfare Award for Best Actress for Aradhana and the National Film Award for Best Actress for Mausam . This was followed by intermittent film appearances in the subsequent decades, including in Sunny (1984), Swati(1986), New Delhi Times (1986), Mira Nair's Mississippi Masala (1991) and Goutam Ghose's Abar Aranye (2002), which won her the National Film Award for Best Supporting Actress, Shubho Mahurat (2003), and in the Hindi films Aashik Awara (1993), Mann (1999), Viruddh (2005), (2007) and Break Ke Baad (2010). Following a hiatus of 13 years, she made her film comeback with the drama Gulmohar (2023) followed by a critically acclaimed performance in Puratawn'' (2025).
Tagore served as the chairperson of the Central Board of Film Certification from October 2004 to March 2011. In December 2005, she was chosen as a UNICEF Goodwill Ambassador.
Tagore was the eldest of three daughters and had two younger sisters, the late Oindrila Kunda Tinku and Romila Sen Chinky. Oindrila was the first in the family to act in a film, and the only role she ever played was that of Mini, the child character (but a central character) in Tapan Sinha's film Kabuliwala (1957). In adulthood, she became an international bridge player. Her other sister, Romila Sen, married to Nikhil Sen, a businessman who served as chief operating officer of Britannia Industries for several years, died as the founder and managing director of Unibic Foods in November 2019.
Tagore attended St. John's Diocesan Girls' Higher Secondary School and Loreto Convent, Asansol. She made her film debut when she was a 13-year-old schoolgirl, after which her studies lost priority. Within a short while, her attendance and performance at school suffered, she came to be regarded as a bad influence on her classmates, and was faced with a choice of either doing films or studying further. At that point, her father advised her to move ahead in life, commit herself to a film career and 'give it her all' in order to become successful.
Tagore made her Hindi film debut with Shakti Samanta's musical romance Kashmir Ki Kali (1964) alongside Shammi Kapoor. She and Samanta collaborated on several of his later films, including the romantic thriller An Evening in Paris (1967) again opposite Kapoor. With the film, she became the first Indian actress to appear in a swimsuit,Lalit Mohan Joshi & Gulzar, Derek Malcolm, Bollywood, page 20, Lucky Dissanayake, 2002, Various writers, Rashtriya Sahara, page 28, Sahara India Mass Communication, 2002Manjima Bhattacharjya, " Why the bikini is badnaam ", The Times of India, 25 November 2007Avijit Ghosh, " Bollywood's unfinished revolution", The Times of India, 2 July 2006 which established Tagore as a sex symbol in Hindi films.Subhash K Jha, " Bollywood's 10 hottest actresses of all time , The Times of India, 2003-01-19B. K. Karanjia, Blundering in Wonderland, page 18, Vikas Publishing House, 1990, While the scene in the film is often referred to as 'the bikini scene', Tagore's swimwear is actually a one piece. However, she did pose in a bikini for the cover of Filmfare magazine in 1966.B. K. Karanjia, Blundering in Wonderland, page 18, Vikas Publishing House, 1990, Sumita S. Chakravarty, National Identity in Indian Popular Cinema, 1947–1987, page 321, University of Texas Press, 1993, But, when she was the chairperson of the Central Board of Film Certification 36 years later, she expressed concerns about the increased use of bikinis in Indian films.Preeti Mudliar, " Without Cuts ", Pune Newsline, 11 April 2005
Tagore went on to appear in films such as Waqt (1965) opposite Shashi Kapoor, Anupama (1966) opposite Dharmendra, Devar (1966) opposite Dharmendra, Sawan Ki Ghata (1966) opposite Manoj Kumar, Aamne Saamne (1967) opposite Shashi Kapoor, Mere Hamdam Mere Dost (1968) opposite Dharmendra and the Bengali film Nayak (1966) opposite Uttam Kumar. Her performance in Anupama proved to be her breakthrough in Hindi cinema. Classic Revisited: Anupama by Dinesh Raheja, Rediff.com.
Tagore teamed up again with her Waqt (1965) and Aamne Samne (1967) co-star Shashi Kapoor for Suhana Safar (1970), Aa Gale Lag Jaa (1973), and Paap Aur Punya (1974). She also worked with Amitabh Bachchan in Chupke Chupke (1975), Faraar (1975) and Besharam (1978).
In Gulzar's Mausam (1975), Tagore starred alongside Sanjeev Kumar, earning earned her first National Film Award for Best Actress, and her fifth nomination for the Filmfare Award for Best Actress. During this time, she also worked with Uttam Kumar in Amanush (1975), Anand Ashram (1977) and Dooriyaan (1979).
Tagore's other films during this period included Ek Se Badhkar Ek (1976), Tyaag (1977), which she also co-produced, and the Malayalam film Chuvanna Chirakukal (1978) among others.
Tagore starred in the Bengali action film Protidan (1983) opposite Naseeruddin Shah, and Mira Nair's interracial romantic drama Mississippi Masala (1991). She also appeared in supporting roles in Ghar Bazar (1998) and Mann (1999). She also appeared in two television shows, Katha Sagar (1986) for DD National and Zindagi (1999) for Star Plus.Awaasthi, Kavita (16 May 2016) A touch of class: Shyam Benegal remembers the stories of Katha Sagar Hindustan Times. Retrieved 26 July 2020
Tagore was cast in her son Saif Ali Khan in his debut film Aashik Awara (1993) and the action drama (2007). She appeared in supporting roles in the musical romantic drama Dhadkan (2000) and Abar Aranye (2003), the latter of which earned her the National Film Award for Best Supporting Actress. She also received critical acclaim for her performance in Shubho Mahurat (2003).
Tagore appeared in family drama Viruddh (2005) alongside Bachchan, earning her sixth nomination for the Filmfare Award for Best Actress.
From 2007 to 2009, Tagore appeared in films such as Fool & Final (2007), Tasveer 8*10 (2009), Antaheen (2009) and the Marathi film Samaantar (2009). In 2009, she served on the jury at the 62nd Cannes Film Festival. She played a supporting role in the romantic comedy-drama Break Ke Baad (2010) before embarking on an acting hiatus.
In 2024, Tagore returned to Marathi films with Outhouse alongside Mohan Agashe, where she played a loving grandmother. Devesh Sharma of Filmfare noted, "Tagore brings warmth, wisdom, and a spark of curiosity to Aadima, portraying her as a nuanced blend of strength and vulnerability." Tagore made her comeback to Bengali films after 14 years with Suman Ghosh's Puratawn (2025).
From 1991 to 2004, Saif was married to actress Amrita Singh. They have two children, daughter Sara Ali Khan (b. 1995) and son Ibrahim Ali Khan (b. 2001), both actors. His second marriage is to actress Kareena Kapoor in 2012 with whom he has two sons, Taimur Ali Khan (b. 2016) and Jeh Ali Khan (b. 2021). Soha married actor Kunal Khemu in 2015, and has a daughter Inaaya Naumi Khemmu (b. 2017).
Unlike most of her contemporaries in the 1960s, Tagore struck a convenient balance potraying playing both glamorous and homely women on screen. She "explored roles beyond the stereotypical" in an era where women were rarely offered an opportunity to be more than "just a pretty appendage to the hero." Her wide range of complex female characters often circumvented the damsel in distress tropes, defying Indian societal norms and capturing a version of womanhood that is flawed but purposeful. According to Nandini Balial of Roger Ebert, she "redefined what an Indian woman could do in a film," and "altered the cinematic landscape for leading ladies." Balial goes on to say that Tagore's women epitomised that "being demure didn’t mean being spineless, and emotional devastation wasn’t a death sentence." Filmfare considered her portrayal of a foul-mouthed shrew-ish Sex worker in Mausam as one of the most iconic Bollywood performances.
Bucking the Indian film industry's expectations from actresses, Tagore wore a one-piece swimsuit for her 1967 film An Evening In Paris. She was the first Bollywood actress to have done so, paving the way for Dimple Kapadia in Bobby (1973), Zeenat Aman in Qurbani (1980), and Parveen Babi in Yeh Nazdeekiyan (1982). Her 1969 Filmfare magazine cover, where Tagore poses in a two-piece bikini, was publicly labelled as "obscene" and "attention-seeking." She said her An Evening In Paris director Shakti Samanta called her after the magazine hit the stands and said,"If you want to be in the public eye, this is not the way to go." He also asked Tagore, who was in London at the time, to return to India immediately. Tagore was "really hurt" by the cover being interpreted as her trying to "be Social mobility" and "catch eyeballs." In a televised interview with Karan Johar, she confirmed that "questions were asked in the Indian Parliament" following the controversy, and she strategically chose the wife-mother role in Aradhana as her next on-screen appearance.
With her voluminous hairdos and chiffon floral-print Sari, Tagore's sense of fashion seamlessly blended traditional elegance with modern glamour. Numerous Indian actresses have gone to emulate her retro-vintage style in recent times, including Anushka Sharma for Bombay Velvet, Preity Zinta for Rab Ne Bana Di Jodi, and Deepika Padukone in Om Shanti Om. Film historian Sanjay Mukhopadhyay said that her "most significant contribution to Indian cinema is a sense of dignity and grace—after Waheeda Rehman, she was the only actress of her time who exuded this.” Mukhopadhyay adds that with a "strong Tagore lineage coupled with the Pataudi family gharana (family dynasty)" she was a "bourgeois star with a biography" who "occupied a cultural space beyond the reach of commoner—she could be looked at, but not possessed.”
Tagore was inducted into the Bollywood Walk of Fame at Bandra Bandstand, Mumbai.
1959 | Apur Sansar | Aparna | Bengali language | ||
1960 | Devi | Doyamoyee | |||
1963 | Shes Anko | Soma | |||
Nirjan Saikate | Renu | ||||
Barnali | Aloka Choudhury | ||||
Chhaya Shurjo | Ghentoo | ||||
1964 | Subha O Debatar Gras | ||||
Kinu Gowalar Gali | Neera | ||||
Kashmir Ki Kali | Champa | Hindi | |||
1965 | Waqt | Renu Khanna | |||
Dak Ghar | Herself | Guest appearance | |||
1966 | Anupama | Uma Sharma | |||
Devar | Madhumati / Banwariya | ||||
Sawan Ki Ghata | Seema | ||||
Nayak | Aditi | Bengali | |||
Yeh Raat Phir Na Aayegi | Kiran / Kiranmai | Hindi | |||
1967 | Milan Ki Raat | Aarti | |||
An Evening in Paris | Deepa / Roopa "Suzy" | Preeti Mudliar, " Without Cuts ", Pune Newsline, 11 April 2005 | |||
Aamne Saamne | Sapna | ||||
1968 | Mere Hamdam Mere Dost | Anita | |||
Humsaya | Leena Sen | ||||
Dil Aur Mohabbat | Anuradha Verma | ||||
1969 | Pyasi Sham | Madhu | |||
Satyakam | Ranjana | ||||
Talash | Madhu / Gauri | ||||
Aradhana | Vandhana Tripathi | Hindi | |||
Yakeen | Rita | ||||
1970 | Aranyer Din Ratri | Aparna | Bengali | ||
Suhana Safar | Sapna | Hindi | |||
Mere Humsafar | Taruna / Meenakshi | ||||
My Love | Sangeeta Thakur | ||||
Safar | Neela Kapoor | ||||
1971 | Seemabaddha | Tutul | Bengali | ||
Chhoti Bahu | Radha | Hindi | |||
Badnam Farishte | Lawyer Renu | Guest appearance | |||
1972 | Amar Prem | Pushpa | |||
Dastaan | Meena | ||||
Yeh Gulistan Hamara | Soo Reni | ||||
Maalik | Savitri | ||||
1973 | Raja Rani | Nirmala / Rani | |||
Daag | Sonia Kohli | ||||
Aa Gale Lag Jaa | Preeti | ||||
1974 | Shaandaar | Pratima | |||
Avishkaar | Mansi | ||||
Paap Aur Punya | Jugni | ||||
Charitraheen | Rama Chaudhary | ||||
Shaitaan | Nisha | ||||
Jadu Bansha | Mala | Bengali | |||
1975 | Mausam | Chanda / Kajli | Hindi | ||
Anari | Poonam | ||||
Chupke Chupke | Sulekha Chaturvedi | ||||
Faraar | Mala / Asha | ||||
Ek Mahal Ho Sapno Ka | Aruna | ||||
Amanush | Lekha | Bengali, Hindi | Bilingual film | ||
Khushboo | Lakhi | Hindi | |||
1976 | Ek Se Badhkar Ek | Rekha | |||
Do Shatru | Rajkumari / Kaali | ||||
1977 | Anand Ashram | Asha | Bengali, Hindi | Bilingual film | |
Tyaag | Sunita | Hindi | Also co-producer | ||
1978 | Besharam | Rinku / Monica | |||
1979 | Chuvanna Chirakukal | Jessinta Issac | Malayalam | ||
Dooriyaan | Lalita | Hindi | |||
Griha Pravesh | Mansi | ||||
Mother | Bengali | ||||
1981 | Kalankini Kankabati | Aparna / Kanka | |||
Naseeb | Herself | Hindi | Guest appearance | ||
1982 | Namkeen | Nimki | |||
Desh Premee | Bharti | ||||
1983 | Protidan | Gouri | Bengali | ||
Gehri Chot – Urf: Durdesh | Shobha | Bengali, Hindi | Bilingual film | ||
Doosri Dulhan | Renu | Hindi | |||
1984 | Sunny | Sitara | |||
Jawaani | Sushma | ||||
Divorce | Chandra | ||||
Milenge Kabhi | |||||
1985 | Ek Se Bhale Do | Mary D'Mello | |||
Bandhan Anjana | |||||
1986 | New Delhi Times | Nisha | |||
Maa Beti | Savitri | ||||
Swati | Sharda | ||||
Ricky | Advocate Rukmini Khanna | ||||
1987 | 7 Saal Baad | Nisha | |||
1988 | Anurodh | Jaya / Maya | Bengali | ||
Hum To Chale Pardes | Trishna | Hindi | Guest appearance | ||
1989 | Doorie | Nisha | |||
1991 | Mississippi Masala | Kinnu | English language | ||
Dastoor | Mohini Devi | Hindi | |||
1993 | Aashiq Awara | Mrs. Singh | |||
1998 | Ghar Bazar | ||||
1999 | Mann | Suhana Devi Singh | |||
2000 | Dhadkan | Jhanvi Ranjan Chopra | |||
2002 | Abar Aranye | Aparna Asim | Bengali | ||
2003 | Shubho Mahurat | Padmini Chowdhury | |||
2005 | Viruddh | Sumitra Patwardhan | Hindi | ||
2006 | Rani Suhasini Devi | ||||
2007 | Fool & Final | Lajwanti Bhabhi | |||
2009 | Antaheen | Pishima Chowdhury | Bengali | ||
8 x 10 Tasveer | Savitri Puri | Hindi | |||
Morning Walk | Neelima | ||||
Samaantar | Shama Vaze | Marathi language | |||
2010 | Break Ke Baad | Ayesha Khan | Hindi | ||
2023 | Gulmohar | Kusum Batra | |||
2024 | OutHouse | Aadima | Marathi | ||
2025 | Puratawn | Mrs. Sen | Bengali | Completed |
1986 | Katha Sagar | Various | ||
1999–2000 | Zindagi | Kamal's warden |
1988 | Mile Sur Mera Tumhara | Various |
1999 | Order of Arts and Letters | Contribution to the Cinema | ||
2013 | Padma Bhushan | Contribution in the Field of Arts |
1965 | International Film Festival of India | Best Actor (Female) | Nirjan Saikate | ||
1970 | Filmfare Awards | Best Actress | Aradhana | ||
1971 | Safar | ||||
1973 | Amar Prem | ||||
1974 | Daag | ||||
1976 | National Film Awards | Best Actress | Mausam | ||
1977 | Filmfare Awards | Best Actress | |||
1985 | Filmfare Awards | Best Supporting Actress | Sunny | ||
2003 | National Film Awards | Best Supporting Actress | Abar Aranye | ||
2006 | Filmfare Awards | Best Actress | Viruddh | ||
Screen Awards | Best Actress | ||||
2023 | Filmfare OTT Awards | Best Actress Critics - Web Original Film | Gulmohar | ||
Best Actress - Web Original Film | |||||
2025 | South Asian Film Festival | Best Actress | Puratawn | ||
New York Film Festival |
1998 | 43rd Filmfare Awards | Lifetime Achievement Award | ||
2002 | Screen Awards | Lifetime Achievement Award | ||
2010 | Anandalok Puraskar | Lifetime Achievement Award | ||
2011 | 12th IIFA Awards | Outstanding Achievement in Indian Cinema | ||
Lifetime Achievement Award | ||||
2012 | Edinburgh University | Honorary Doctorate of Arts | ||
2019 | Hello! Hall of Fame Award | Lifetime Achievement Award | ||
2023 | Bimal Roy Memorial Awards | Lifetime Achievement Award |
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