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Sharmila Tagore (; born 8 December 1944) also known by her married name Begum Ayesha Sultana, is an Indian actress whose illustrious career has spanned over six decades across and Bengali films. In recognition of her contributions to cinema, she was honoured with Commander of Order of Arts and Letters by Government of France in 1999, and , India's third highest civilian award, in 2013. Tagore is also a recipient of two National Film Awards and three .

Born into the prominent , one of the leading families of and a key influence during the Bengali Renaissance, Tagore made her acting debut at age 14 with 's acclaimed Bengali epic drama The World of Apu (1959). She went on to collaborate with Ray on numerous other films, including Devi (1960), Nayak (1966), Aranyer Din Ratri (1970), and (1971), her other Bengali films over the time included (1963), (1963), (1965), Amanush (1975), (1977), and Kalankini Kankabati (1981); thus establishing herself as one of the most acclaimed actresses of Bengali cinema.

Tagore's career further expanded when she ventured into Hindi films with 's romance Kashmir Ki Kali (1964). She established herself as one of the leading actresses of Hindi cinema with films like Waqt (1965), Anupama (1966), (1966), An Evening in Paris (1967), Aamne Saamne (1967), Mere Hamdam Mere Dost (1968), (1969), Aradhana (1969), Safar (1970), (1972), Daag (1973), Aa Gale Lag Jaa (1973), (1974), Chupke Chupke (1975), Mausam (1975), Ek Mahal Ho Sapno Ka (1975) and (1982). She won the Filmfare Award for Best Actress for Aradhana and the National Film Award for Best Actress for Mausam . This was followed by intermittent film appearances in the subsequent decades, including in Sunny (1984), Swati(1986), New Delhi Times (1986), 's Mississippi Masala (1991) and 's (2002), which won her the National Film Award for Best Supporting Actress, (2003), and in the Hindi films (1993), Mann (1999), (2005), (2007) and Break Ke Baad (2010). Following a hiatus of 13 years, she made her film comeback with the drama Gulmohar (2023) followed by a critically acclaimed performance in '' (2025).

Tagore served as the chairperson of the Central Board of Film Certification from October 2004 to March 2011. In December 2005, she was chosen as a UNICEF Goodwill Ambassador.


Early life and background
Sharmila Tagore was born on 8 December 1944 in Cawnpore (now ), United Provinces to Gitindranath Tagore, a general manager in the British India Corporation, and his wife Ira Tagore (née Barua). Tagore's father belonged to the aristocratic , and was related to the Nobel laureate Rabindranath Tagore. Her mother was of descent and hailed from the family. Gitindranath was the grandson of the noted painter Gaganendranath Tagore, whose own father Gunendranath had been a first cousin of the laureate. In fact, Tagore is more closely related to Rabindranath Tagore through her mother: her maternal grandmother, Latika Barua (née Tagore), was the granddaughter of Rabindranath Tagore's brother, Dwijendranath Tagore. Her parents were fourth-cousins. Tagore's maternal grandfather (husband of Latika Barua née Tagore) was Jnanadabhiram Barua, an Freedom Fighter and Writer who was the First Principal of Earl Law College in (now known as Government Law College), himself the son of the noted social worker . As a member of the , she is also a distant relative of the actress and the painter Abanindranath Tagore (her great-granduncle, brother of great-grandfather Gaganendranath Tagore).

Tagore was the eldest of three daughters and had two younger sisters, the late Oindrila Kunda Tinku and Romila Sen Chinky. Oindrila was the first in the family to act in a film, and the only role she ever played was that of Mini, the child character (but a central character) in 's film Kabuliwala (1957). In adulthood, she became an international bridge player. Her other sister, Romila Sen, married to Nikhil Sen, a businessman who served as chief operating officer of Britannia Industries for several years, died as the founder and managing director of Unibic Foods in November 2019.

Tagore attended St. John's Diocesan Girls' Higher Secondary School and Loreto Convent, Asansol. She made her film debut when she was a 13-year-old schoolgirl, after which her studies lost priority. Within a short while, her attendance and performance at school suffered, she came to be regarded as a bad influence on her classmates, and was faced with a choice of either doing films or studying further. At that point, her father advised her to move ahead in life, commit herself to a film career and 'give it her all' in order to become successful.


Career

Beginnings and Cinematic Emergence (1959–1968)
Tagore began her career as an actress in 's Bengali epic drama Apur Sansar (1959), as an ill-fated bride.Stuff Reporter, " Being Sharmila, all through life", The Hindu, Retrieved 23 August 2006 In 1960, Ray cast her again in Devi, a film set in 1860 on Hindu orthodoxy and rational reforms, which she considers her favourite film and performance. She went onto appear in Bengali films and , winning the IFFI Best Actor Award (Female) for the latter, alongside , Ruma Guha Thakurta, Renuka Devi and Bharati Devi.

Tagore made her Hindi film debut with 's musical romance Kashmir Ki Kali (1964) alongside . She and Samanta collaborated on several of his later films, including the romantic thriller An Evening in Paris (1967) again opposite Kapoor. With the film, she became the first Indian actress to appear in a swimsuit,Lalit Mohan Joshi & Gulzar, Derek Malcolm, Bollywood, page 20, Lucky Dissanayake, 2002, Various writers, Rashtriya Sahara, page 28, Sahara India Mass Communication, 2002Manjima Bhattacharjya, " Why the bikini is badnaam ", The Times of India, 25 November 2007Avijit Ghosh, " Bollywood's unfinished revolution", The Times of India, 2 July 2006 which established Tagore as a in Hindi films.Subhash K Jha, " Bollywood's 10 hottest actresses of all time , The Times of India, 2003-01-19B. K. Karanjia, Blundering in Wonderland, page 18, Vikas Publishing House, 1990, While the scene in the film is often referred to as 'the bikini scene', Tagore's swimwear is actually a one piece. However, she did pose in a bikini for the cover of magazine in 1966.B. K. Karanjia, Blundering in Wonderland, page 18, Vikas Publishing House, 1990, Sumita S. Chakravarty, National Identity in Indian Popular Cinema, 1947–1987, page 321, University of Texas Press, 1993, But, when she was the chairperson of the Central Board of Film Certification 36 years later, she expressed concerns about the increased use of bikinis in Indian films.Preeti Mudliar, " Without Cuts ", Pune Newsline, 11 April 2005

Tagore went on to appear in films such as Waqt (1965) opposite , Anupama (1966) opposite , (1966) opposite , Sawan Ki Ghata (1966) opposite , Aamne Saamne (1967) opposite , Mere Hamdam Mere Dost (1968) opposite and the Bengali film Nayak (1966) opposite . Her performance in Anupama proved to be her breakthrough in Hindi cinema. Classic Revisited: Anupama by Dinesh Raheja, Rediff.com.


Commercial success and stardom (1969–1979)
The 1970s marked the most successful period of Tagore's career with a string of critical and commercial successes. She worked alongside on several films including Aradhana (1969), Safar (1970), (1971), (1971), Raja Rani (1973), Daag (1973) and (1974), Maalik (1972). She won the Filmfare Award for Best Actress for Aradhana, and was nominated for Safar, Amar Prem and Daag. She was paired opposite in (1969), Yakeen (1969), Chupke Chupke (1975), and Ek Mahal Ho Sapno Ka (1975).
(2006). 9781134380701, Routledge. .

Tagore teamed up again with her Waqt (1965) and Aamne Samne (1967) co-star for (1970), Aa Gale Lag Jaa (1973), and Paap Aur Punya (1974). She also worked with in Chupke Chupke (1975), Faraar (1975) and Besharam (1978).

In Gulzar's Mausam (1975), Tagore starred alongside , earning earned her first National Film Award for Best Actress, and her fifth nomination for the Filmfare Award for Best Actress. During this time, she also worked with in Amanush (1975), (1977) and (1979).

Tagore's other films during this period included Ek Se Badhkar Ek (1976), Tyaag (1977), which she also co-produced, and the Malayalam film Chuvanna Chirakukal (1978) among others.


Further success and sporadic work (1980–2010)
In the 1980s, Tagore appeared in Kalankini Kankabati (1981), (1982), New Delhi Times (1986) and (1986). Two Tales of My Times: New Delhi Times, Maachis, by . Rupa. 2008. She reunited with Dharmendra in the film Sunny (1984), which also featured Dharmendra's son in the lead role. Her performance in the film earned her a nomination for the Filmfare Award for Best Supporting Actress.

Tagore starred in the Bengali action film (1983) opposite , and 's interracial romantic drama Mississippi Masala (1991). She also appeared in supporting roles in (1998) and Mann (1999). She also appeared in two television shows, (1986) for and Zindagi (1999) for .Awaasthi, Kavita (16 May 2016) A touch of class: Shyam Benegal remembers the stories of Katha Sagar Hindustan Times. Retrieved 26 July 2020

Tagore was cast in her son Saif Ali Khan in his debut film (1993) and the action drama (2007). She appeared in supporting roles in the musical romantic drama Dhadkan (2000) and (2003), the latter of which earned her the National Film Award for Best Supporting Actress. She also received critical acclaim for her performance in (2003).

Tagore appeared in family drama (2005) alongside Bachchan, earning her sixth nomination for the Filmfare Award for Best Actress.

From 2007 to 2009, Tagore appeared in films such as Fool & Final (2007), Tasveer 8*10 (2009), (2009) and the Marathi film (2009). In 2009, she served on the jury at the 62nd Cannes Film Festival. She played a supporting role in the romantic comedy-drama Break Ke Baad (2010) before embarking on an acting hiatus.


Return to Cinema and acclaimed performances (2023 to Present)
Tagore made her comeback after a 13-year hiatus with the drama Gulmohar (2023), which released on Disney+ Hotstar. The film earned her critical acclaim, with the noting that, "The elegance and poise Tagore exudes are remarkable. Her dialogue delivery, gestures, body language, emotions, everything looks just so effortless even after a long hiatus." also opined that, "Tagore is always a joy to watch on screen. And, what a comeback!" Her performance earned her the Filmfare OTT Award for Best Actress Critics – Web Original Film, in addition to a nomination for Best Actress – Web Original Film.

In 2024, Tagore returned to Marathi films with Outhouse alongside , where she played a loving grandmother. Devesh Sharma of noted, "Tagore brings warmth, wisdom, and a spark of curiosity to Aadima, portraying her as a nuanced blend of strength and vulnerability." Tagore made her comeback to Bengali films after 14 years with Suman Ghosh's (2025).


Personal life
Tagore converted to Islam, changed her name to Begum Ayesha Sultana, and married Mansoor Ali Khan Pataudi, the titular Nawab of Pataudi and Bhopal and former captain of the Indian cricket team, on 27 December 1968. They had three children: actor Saif Ali Khan (b. 1970); Saba Ali Khan (b. 1976), a jewellery designer; and Soha Ali Khan (b. 1978), a Bollywood actress and TV personality. Mansoor Ali Khan Pataudi died at age 70 on 22 September 2011.

From 1991 to 2004, Saif was married to actress . They have two children, daughter Sara Ali Khan (b. 1995) and son Ibrahim Ali Khan (b. 2001), both actors. His second marriage is to actress in 2012 with whom he has two sons, Taimur Ali Khan (b. 2016) and Jeh Ali Khan (b. 2021). Soha married actor in 2015, and has a daughter Inaaya Naumi Khemmu (b. 2017).


Public image and legacy
Tagore was the highest paid Indian actress in the 1970s, and is considered an accomplished veteran. Surendra Kumar of The Sunday Guardian considers her to be an actress "ahead of her time" for balancing "the serious persona of realist Bengali films, and the Bollywood persona of films with song-and-dance sequences focused on success at the box office." She has received widespread critical acclaim for her on-screen work, both nationally and internationally. During the introduction of the 2025 Cannes Film Festival screening of Aranyer Din Ratri, American filmmaker recalled watching the film 25 years years ago "in a very strangely translated, blurry, scratchy, pirated from a little Bollywood shop in ." He described Tagore's performance in Aranyer Din Ratri as "mysterious, cerebral, mesmerising." Tagore was deemed "incomparably graceful" in the film by American film critic .

Unlike most of her contemporaries in the 1960s, Tagore struck a convenient balance potraying playing both glamorous and homely women on screen. She "explored roles beyond the stereotypical" in an era where women were rarely offered an opportunity to be more than "just a pretty appendage to the hero." Her wide range of complex female characters often circumvented the damsel in distress tropes, defying Indian societal norms and capturing a version of womanhood that is flawed but purposeful. According to Nandini Balial of Roger Ebert, she "redefined what an Indian woman could do in a film," and "altered the cinematic landscape for leading ladies." Balial goes on to say that Tagore's women epitomised that "being demure didn’t mean being spineless, and emotional devastation wasn’t a death sentence." Filmfare considered her portrayal of a foul-mouthed shrew-ish in Mausam as one of the most iconic Bollywood performances.

Bucking the Indian film industry's expectations from actresses, Tagore wore a one-piece swimsuit for her 1967 film An Evening In Paris. She was the first Bollywood actress to have done so, paving the way for in Bobby (1973), in Qurbani (1980), and in (1982). Her 1969 Filmfare magazine cover, where Tagore poses in a two-piece bikini, was publicly labelled as "obscene" and "attention-seeking." She said her An Evening In Paris director called her after the magazine hit the stands and said,"If you want to be in the public eye, this is not the way to go." He also asked Tagore, who was in at the time, to return to India immediately. Tagore was "really hurt" by the cover being interpreted as her trying to "be " and "catch eyeballs." In a televised interview with , she confirmed that "questions were asked in the Indian Parliament" following the controversy, and she strategically chose the wife-mother role in Aradhana as her next on-screen appearance.

With her voluminous hairdos and chiffon floral-print , Tagore's sense of fashion seamlessly blended traditional elegance with modern glamour. Numerous Indian actresses have gone to emulate her retro-vintage style in recent times, including for , for Rab Ne Bana Di Jodi, and in Om Shanti Om. Film historian Sanjay Mukhopadhyay said that her "most significant contribution to Indian cinema is a sense of dignity and grace—after , she was the only actress of her time who exuded this.” Mukhopadhyay adds that with a "strong Tagore lineage coupled with the gharana (family dynasty)" she was a "bourgeois star with a biography" who "occupied a cultural space beyond the reach of commoner—she could be looked at, but not possessed.”

Tagore was inducted into the Bollywood Walk of Fame at Bandra Bandstand, Mumbai.


Filmography

Films
1959Apur SansarAparna
1960DeviDoyamoyee
1963Soma
Renu
Aloka Choudhury
Chhaya ShurjoGhentoo
1964Subha O Debatar Gras
Kinu Gowalar GaliNeera
Kashmir Ki KaliChampa
1965WaqtRenu Khanna
HerselfGuest appearance
1966AnupamaUma Sharma
Madhumati / Banwariya
Sawan Ki GhataSeema
NayakAditiBengali
Yeh Raat Phir Na AayegiKiran / KiranmaiHindi
1967Milan Ki RaatAarti
An Evening in ParisDeepa / Roopa "Suzy" Preeti Mudliar, " Without Cuts ", Pune Newsline, 11 April 2005
Aamne SaamneSapna
1968Mere Hamdam Mere DostAnita
HumsayaLeena Sen
Dil Aur MohabbatAnuradha Verma
1969Pyasi ShamMadhu
Ranjana
TalashMadhu / Gauri
AradhanaVandhana TripathiHindi
YakeenRita
1970Aranyer Din RatriAparnaBengali
SapnaHindi
Taruna / Meenakshi
My LoveSangeeta Thakur
SafarNeela Kapoor
1971TutulBengali
RadhaHindi
Lawyer RenuGuest appearance
1972Pushpa
DastaanMeena
Yeh Gulistan HamaraSoo Reni
MaalikSavitri
1973Raja RaniNirmala / Rani
DaagSonia Kohli
Aa Gale Lag JaaPreeti
1974ShaandaarPratima
Mansi
Paap Aur PunyaJugni
Rama Chaudhary
ShaitaanNisha
Jadu BanshaMalaBengali
1975MausamChanda / KajliHindi
AnariPoonam
Chupke ChupkeSulekha Chaturvedi
FaraarMala / Asha
Ek Mahal Ho Sapno KaAruna
AmanushLekhaBengali, HindiBilingual film
KhushbooLakhiHindi
1976Ek Se Badhkar EkRekha
Do ShatruRajkumari / Kaali
1977AshaBengali, HindiBilingual film
TyaagSunitaHindiAlso co-producer
1978BesharamRinku / Monica
1979Chuvanna ChirakukalJessinta Issac
LalitaHindi
Griha PraveshMansi
Mother Bengali
1981Kalankini KankabatiAparna / Kanka
NaseebHerselfHindiGuest appearance
1982Nimki
Bharti
1983GouriBengali
Gehri Chot – Urf: DurdeshShobhaBengali, HindiBilingual film
RenuHindi
1984SunnySitara
Sushma
DivorceChandra
Milenge Kabhi
1985Ek Se Bhale DoMary D'Mello
Bandhan Anjana
1986New Delhi TimesNisha
Savitri
SwatiSharda
RickyAdvocate Rukmini Khanna
19877 Saal BaadNisha
1988AnurodhJaya / MayaBengali
Hum To Chale PardesTrishnaHindiGuest appearance
1989DoorieNisha
1991Mississippi MasalaKinnu
DastoorMohini DeviHindi
1993Mrs. Singh
1998
1999MannSuhana Devi Singh
2000DhadkanJhanvi Ranjan Chopra
2002Aparna AsimBengali
(2025). 9781902049960, Andre Deutsch. .
2003Padmini Chowdhury
2005Sumitra PatwardhanHindi
2006Rani Suhasini Devi
2007Fool & FinalLajwanti Bhabhi
2009Pishima ChowdhuryBengali
8 x 10 TasveerSavitri PuriHindi
Neelima
Shama Vaze
2010Break Ke BaadAyesha KhanHindi
2023GulmoharKusum Batra
2024OutHouseAadimaMarathi
2025Mrs. SenBengaliCompleted


Television
1986Various
1999–2000ZindagiKamal's warden


Music video
1988Mile Sur Mera TumharaVarious


Accolades

Civilian awards
1999Order of Arts and LettersContribution to the Cinema
2013Contribution in the Field of Arts


Film awards
1965International Film Festival of IndiaBest Actor (Female)
1970Best ActressAradhana
1971Safar
1973
(2025). 9788172234669, HarperCollins and .
1974 Daag
1976National Film AwardsBest ActressMausam
1977Best Actress

1985Best Supporting ActressSunny
2003National Film AwardsBest Supporting Actress
2006Best Actress
Best Actress
2023Filmfare OTT AwardsBest Actress Critics - Web Original FilmGulmohar
Best Actress - Web Original Film
2025South Asian Film FestivalBest Actress
New York Film Festival


Honorary awards
199843rd Filmfare AwardsLifetime Achievement Award
2002Lifetime Achievement Award
2010Anandalok PuraskarLifetime Achievement Award
201112th IIFA AwardsOutstanding Achievement in Indian Cinema
Lifetime Achievement Award
2012Edinburgh UniversityHonorary Doctorate of Arts
2019Hello! Hall of Fame AwardLifetime Achievement Award
2023Bimal Roy Memorial AwardsLifetime Achievement Award


Further reading


External links
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